Dungeons and Dragons: The Problem With Language Part 2- Sunflower Bullets

So. Apparently blogger interprets unordered list bullet points as sunflowers. I'm not sure if I change that through asking the html to display a different type of bullet, or by fiddling with my stylesheet...but now that I've titled this entry as I have, I can never change them without it no longer making sense.

This is part two of my discussion of language in DnD and how I plan to change it; specifically how I plan to change it within the 4e rules. In part one I described my goals for this project...and I say project but I put it together over about an hour, most of which was typing. So perhaps we'll call it "this whim," but then it hardly sounds well-considered. So we'll call it...this ish.

My goals for this ish, nicely bordered by little sunflowers, boil down to making language both sensible and significant in the kind of realized fantasy world that has actual, different cultures who might not see the merit in bowing before the needs of Man and learning common.

Lockout: The Problem With Language Part 1- Suntory Time

There's a great scene in Lost in Translation (albeit an apparently difficult one to find on Youtube) where Bill Murray's character finishes delivering a line in a commercial, only to be subjected to a rapid-fire, very intense stream of commentary (in Japanese) from the director.

Which is translated as "He wants you to turn, look in camera. Ok?"

And Bill, wonderful, unflappable Bill (Who did such an amazing job of portraying a weary actor in that movie I was convinced it would be his last role ever, and the comedic idol was going to die...this movie came out in '03) asks "Is that all he said?"

The concept of language in Dungeons and Dragons suffers from the same translational problems. Specifically, DMs and players tend to skim over questions of communication and assume that everyone understands everyone else all of the time. While this is certainly convenient for gameplay purposes, and avoids some of the problems that not handwaving linguistic differences away creates, I find it deeply dissatisfying.

Lockout: Cultural Overview 1- The Silken Kingdoms

Kingdom of Silks is a well-ordered society on the whole, where etiquette and poise are paramount. Many different schools of philosophical thought contend for commercial and mystic authority, but overall the society has advanced beyond inter-faction violence. Arcane and psionic pursuits are what define the Kingdom, and the advances and conveniences these studies have produced allow most citizens to live in relative leisure despite the tremendous ecological devastation surrounding them. Though it is uncommon for most citizens of the Kingdom to pursue a purely martial path, those who do are extremely well-trained and dangerous. Much of the warfare is relegated to ranks of constructs, from the numerous terracotta soldiers cast from living earth before great battles to the sentient warforged and mysterious, musical shardminds.

The Position of the Races Within the Kingdom of Silks

Eladrin: The majority of Kingdom citizens are Eladrin, and thus form the peasant caste. Most can read and write, and as farming is handled magically, most focus on jobs as scribes, carpenters, and artisans. Many Eladrin join the military, of course, though usually as martial characters. Eladrin also comprises a large percentage of the ancestor-worshipping clergy in the Kingdoms, using their powers to cast out malevolent entities unleashed by the other Bloodlines.

Bloodlines

"Bloodlines" are specific magical philosophies, genetic qualities, and cultural similarities that bind particular citizens of the Kingdom of Silks. Most bloodlines are not actually related to the circumstances of a creature's birth, but rather represent conscious choices available to most qualified Eladrin of the Kingdom willing to undergo the necessary changes and sacrifices. However, many bloodlines also breed true, or simply raise their children in such a way that the possibility of rejecting the covenant associated with the bloodline is never presented; this is especially true of Tieflings and Genasi.